[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index="" css=".vc_custom_1588778916117{padding-right: 5% !important;padding-left: 5% !important;}"][vc_column width="1/6"][/vc_column][vc_column width="1/6"][vc_empty_space height="12px"][vc_column_text] marike schuurman flashback 11 2021   For "Flashback 11", Schuurman examines the aftermath of photography. Magnified images of discharged or faulty flashbulbs allow us to get a closer look at the potentially...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index="" css=".vc_custom_1588778916117{padding-right: 5% !important;padding-left: 5% !important;}"][vc_column width="1/6"][/vc_column][vc_column width="1/6"][vc_empty_space height="12px"][vc_column_text] marike schuurman toxic 2022 [/vc_column_text][vc_empty_space height="12px"][vc_column_text] In Toxic (2022 – ongoing) subject and object merge, allowing what is photographed to infiltrate and alter the image.   inquire > [/vc_column_text][vc_empty_space height="20px"][/vc_column][vc_column width="4/6"][vc_empty_space height="12px"][vc_single_image image="10799" img_size="full" qode_css_animation=""][vc_empty_space...